Description
When President Obama signed the affordable health care act in 2009, the Vice President was overheard to utter an enthusiastic This is a big f****** deal! A town in Massachusetts levies $20 fines on swearing in public. Nothing is as paradoxical as our attitude toward swearing and bad
language: how can we judge profanity so harshly in principle, yet use it so frequently in practice? Though profanity is more acceptable today than ever, it is still labeled as rude, or at best tolerable only under specific circumstances. Cursing, many argue, signals an absence of character, or poor
parenting, and is something to avoid at all costs. Yet plenty of us are unconcerned about the dangers of profanity; bad words are commonly used in mainstream music, Academy Award-winning films, books, and newspapers. And of course, regular people use them in conversation every day. In In Praise of Profanity, Michael Adams offers a provocative, unapologetic defense of profanity, arguing that we've oversimplified profanity by labeling it as taboo. Profanity is valuable, even essential, both as a vehicle of communication and an element of style. As much as we may deplore it in
some contexts, we should celebrate it in others. Adams skillfully weaves together linguistic and psychological analyses of why we swear-for emotional release, as a way to promote group solidarity, or to create intimate relationships -- with colorful examples of profanity in literature, TV, film, and
music, such as The Sopranos, James Kelman's How Late It Was, How Late, or the songs of Nellie McKay. This breezy, jargon-free book will challenge readers to reconsider the way they think about swearing.
Author: Michael Adams
Publisher: Oxford University Press, USA
Published: 08/01/2016
Pages: 272
Binding Type: Hardcover
Weight: 0.88lbs
Size: 8.30h x 5.90w x 1.10d
ISBN13: 9780199337583
ISBN10: 0199337586
BISAC Categories:
- Language Arts & Disciplines | Linguistics | General
- Language Arts & Disciplines | Spelling & Vocabulary
language: how can we judge profanity so harshly in principle, yet use it so frequently in practice? Though profanity is more acceptable today than ever, it is still labeled as rude, or at best tolerable only under specific circumstances. Cursing, many argue, signals an absence of character, or poor
parenting, and is something to avoid at all costs. Yet plenty of us are unconcerned about the dangers of profanity; bad words are commonly used in mainstream music, Academy Award-winning films, books, and newspapers. And of course, regular people use them in conversation every day. In In Praise of Profanity, Michael Adams offers a provocative, unapologetic defense of profanity, arguing that we've oversimplified profanity by labeling it as taboo. Profanity is valuable, even essential, both as a vehicle of communication and an element of style. As much as we may deplore it in
some contexts, we should celebrate it in others. Adams skillfully weaves together linguistic and psychological analyses of why we swear-for emotional release, as a way to promote group solidarity, or to create intimate relationships -- with colorful examples of profanity in literature, TV, film, and
music, such as The Sopranos, James Kelman's How Late It Was, How Late, or the songs of Nellie McKay. This breezy, jargon-free book will challenge readers to reconsider the way they think about swearing.
Author: Michael Adams
Publisher: Oxford University Press, USA
Published: 08/01/2016
Pages: 272
Binding Type: Hardcover
Weight: 0.88lbs
Size: 8.30h x 5.90w x 1.10d
ISBN13: 9780199337583
ISBN10: 0199337586
BISAC Categories:
- Language Arts & Disciplines | Linguistics | General
- Language Arts & Disciplines | Spelling & Vocabulary
About the Author
Michael Adams is Provost Professor of English Language and Literature at Indiana University, Bloomington, and author or editor of several books on language, including Slayer Slang (OUP, 2003), Slang: The People's Poetry (OUP, 2009), and From Elvish to Klingon (OUP, 2011). For many years, he was Editor of the journal Dictionaries, and he recently retired as Editor of the quarterly journal, American Speech.
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